Chris Sturgill

This is from the last level of the game.  I was responsible for the mesh, textures, and lighting.  I collaborated with another artist on the center-most pillar.

Bridge in to final area of the game.  Mesh, textures, lighting.

Responsible for the mesh, textures, and lighting.  I also didn't have a lot of concept to work from, so I had to find my way to this architectural style.

The fortress, and road leading to it, were once above water.  Mesh, texture, lighting.

Mesh, textures, and lighting.  The blue glowing falls were called aether.  Or something like that.  We referred to it affectionately as blue goo during production.
 

Mesh, lighting, textures were me.  The moving objects (dam, gears, etc) were created by another artist. 

Reimagining a PS1 game was an interesting experience.  It gave us a great starting point, but recreating an old game with much more sophisticated game systems, and the ability to create higher fidelity assets was a challenge.

This area, for example got a lot grander and complex than the original.
 

Mesh, textures, and lighting. 

Looking down at the water pool at the obelisk's base.

Toward the top, the walls had more weather damage and overgrowth.
 

Ah, vertex lighting.

Responsible for mostly everything but the sphinx original modeling, though I did re-do his head.

These hallways had to be reworked.  The originals from outsourcing were much too gold, with fiddly detail.  Simpler shapes felt more Egyptian.
 

The first pass of this area was created by outsourcing, and I was responsible for reworking the textures, refining the look, and polishing it.